Friday Photo – On The Ganga
A boat jetty near Ram Jhoola, Rishikesh.
A boat jetty near Ram Jhoola, Rishikesh.
This Thursday’s travel photography article has two sections. The first section is a tip on enhancing the image with careful choice of background. In the second section, let’s take a few images submitted for critique on India Travel and Photography group, and discuss about what has worked well and how they can be bettered. If you would like your images to be reviewed, add them to India Travel and Photography group pool on flikr and tag them as itpcritique.
UNCLUTTERED BACKGROUND
Most images we take tend to have a distinct foreground and background. The image of a person in the street would have the person as the main subject, with the street and buildings as background. A bird’s picture might have a perch or leaves as the background. In occasions where there is a choice, it pays to compose the image carefully in such a way that there is not too much of background clutter. A uniform or simple background keeps the viewer’s eye focused on the main subject and enhances the it considerably.
Let’s begin with an example, and then look at ways achieve this.
The Grey Tit in the first picture below is an image that would have normally made me happy. The bird is well in focus, and has taken significant portion of the frame. The feed in its beak adds well to the image. These are things that I would have liked in a bird shot. But the clutter in the background obviously doesn’t gel well with the foreground, causing undesirable distraction.
In the second image below, the clear background emphasizes the subject and doesn’t strain the viewer.
The same goes with the images of Golden Langur below. The background in the second image is a tree trunk. Since the trunk as dark, and was in shadow, it appears completely black.
So how do we go about improving the background? A few tips here.
1. Always keep a watch. Despite understanding that a good background can make a lot of difference to the image, we do not remain conscious about it all the time. Unlike the camera, our eye can easily focus on the subject and ignore the background. So the clutter in the background is not intuitively recognized at the time of shooting. One needs to keep a watch and consciously observe the background before taking the picture.
2. Use a contrasting environment. In the picture of the flower below, the flower was directly in sunlight, but the ground below was in darkness. I took the image from an angle such that the background of the image is in shadow. It helped highlight the flower and keep the background from interfering. Use such contrasting light in the picture where possible. In a better controlled environment, you can use contrasting colors (such as red background for a blue foreground) to create similar effects.
3. Throw background out-of-focus. If your camera allows you to set the aperture, you can shoot with wide open aperture to blur the background. This may not have an effect as good as a contrasting environment, but still helps a great deal in enhancing the foreground. Similar effect can also be achieved with a lens that has a high optical zoom, by shooting at longer focal length. The picture below was shot with a 400mm lens and wide open aperture. As you can see, the flower is the only object in focus. Although we don’t have a very clear background, the flower manages to stand out, since the background is out of focus.
IMAGE CRITIQUE
Below is an image posted for critique by flickr user shande
What I really like about the image is the way it is composed. There would be million pictures of Gateway of India where you see just the monument alone. In this picture, the photographer has thrown the monument to a side and has put an interesting deviation in the form of a pillar to fill the gap to the right. Yet, a viewers eye doesn’t stand for long at the pillar, and is easily lead to the monument itself.
Where I do feel that the image can be improved is in the lighting. This was shot in the morning light(as the timestamp on the image says) when the sun is already a little high and harsh. The sky to the left is slightly burnt. Also, sunlight is lighting a side and the back portions of the monument, and the front portion is in darkness. A better result would have been achieved, if the picture is taken in the evening. From the looks of it, it seems like sunlight would fall on right side and front portion of the monument in the evening hours, which would highlight the monument better.
The scaffoldings are obviously an eyesore, but not much can be done about it except coming back on another day. Here is an article I wrote on workarounds I tried with scaffoldings, which may be of use.
The image below is posted for critique by flickr user mihirrly
The colors of the evening sky stand out well in the picture. The image effectively conveys the feel of a wide beach where people come to relax. I feel that the shot could have been recomposed to remove a bit of the bottom portion of the sand which is not of much interest. It would also add to the image, if it was taken from a place where more of the sea could be included in the image.
If you would like one of your image reviewed next week, add it to India Travel and Photography group pool on flikr and tag them as itpcritique.
Dushyasana laughed at Yudhishtira for being a poor looser at the gambling table. Draupathi was dragged in from the middle of people behind whom she was hiding. She pleaded for mercy and begged hapless Yudhishtira for help. Her lips quivered, and her face shrunk. And years later, she pleaded Krishna not to help Pandavas reconcile, but to get them to war. Krishna remained calm and pleasant all through, his green face betraying no emotions. And in the ultimate war, Bheema was unstoppable. His face burned, eyes went red and his body trembled with anger as he searched for Dushyasala. And when Dushyasana fell, a raging Bheema drank his blood and pulled out the intestine with his canines.
Scenes from a Kathakali performance!
I was at a Kathakali performance organized by Bangalore Club of Kathakali and the Arts last weekend. Having got consent to shoot backstage, we arrived early and spent time watching the faces slowly come alive with colors. Here are some pictures and a few words. See more images on flickr group India Travel and Photography.
At the backstage
Preparing for the performance is a long process. The artists start applying colors on their face first, and then take help of a make-up person to give the final touches. Mixing colors started as early as 12pm for the show that was about to begin at 6.30pm. When we arrived at the scene around 2 o’clock, the greenroom was full with artists at various stages of colouring their face.
The artists relax before getting ready for the show
The day’s story was Duryodhana Vadham consisting four scenes. The first one is from the court of Dhritarashtra where Yudhisthira gambled away his clan and kingdom. The remaining scenes involved Krishna’s reconciliation efforts after the Pandavas return from exile, the war at Kurukshetra and Bheema’s revenge against Dushyasana and Duryodhana.
Our first introduction to the characters happened as the artists painted their faces with a brush in one hand and mirror in the other. Dushyasana – the evil – was painted in red(katti), while the good guys Yudhishtira and Krishna had fluorescent green (paccha) faces. Duryodhana, evil but royal, had a mix of both. Draupathi’s makeup had a fair face with long eyelashes, called Minukku.
mixing the colors
Duryodhana is a mix of katti and paccha
Kathakali evolved as an art form nearly four hundred years ago. It was then called Ramanattam, as the stories performed in those days were from the Ramayana. Achuthan Kutty, a retired scientist from BARC, now a connoisseur and artist, explained us with a child like enthusiasm on the intricacies of the art, about its history, the mudras and the rules of the performance.
On stage, it was a dazzler of a performance. Two and a half hours went like minutes as the actors duly justified the characters they had become.
Krishna shows his Vishwaroopa
An angry Bheema searches for Dushyasana.
The show culminated with Bheema defeating and killing Dushyasana and Duryodhana in the battle.
See more images on flickr.
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