Strolling with a Camera – A Jaipur Beyond Monuments

Streets of JaipurStrolling through the lanes outside the touristy quarters of Jaipur, we entered a small lane crowded with houses. As I have occasionally seen in these parts of the country, the lane expanded into a spacious quadrangle surrounded by tightly packed houses. A few cars were parked at the center. A cow–there are few places where you won’t find one–tied under a tin roof stared at us uninterestedly. An elderly lady sat on the veranda of her house, spending the evening in solitude. I first thought the house was a temple, thanks to its decorative arch and a tiny altar above the door with bright saffron swastikas on each side. The lady responded in affirmative when I requested her permission for a photograph, but did not say much else.

In the meanwhile, we had caught the attention of a bunch of elderly men who sat in a circle and whiled away the evening discussing politics. One of them started talking to us and immediately, without our realization, a connection was established between the visitors and the locals.  Ice was broken and conversations flowed freely. The strangers at the quandrangle, who had now transformed into our hosts in a matter of few seconds, took turns to introduce themselves. One was a retired government official, one was a priest and another one was a musician. The eldest man in the group, who was a generation senior to everyone else, remained silent and watchful. We all were sitting on the veranda of the musician’s family, which had once served the kings of Jaipur. They were proud about their achievements and took us into their house to show the instruments they possessed (a harmonium, a flute).

And then, as it normally happens, questions were asked about our professions and our whereabouts. Of course, at the end we were asked to stay on for a cup of tea.

As a photographer who often encounters and speaks to strangers all over the country, I have seen people react to our cameras in a very predictable way. They usually come in two extremes – very friendly or very unwelcoming. The more touristy a place gets, the more camera-toting people a place sees, the more likely that the encounters are the latter kind. The farther you get, the more you move off the highway, it is more likely that you find friendlier people. And then there are always hidden places just round the corner from a well-known place where you still see hat friendly smiles not compromised.

It is perhaps a natural progression that happens to people who often find themselves pointed with a camera, more often than not unsolicited. At first, one may find it charming that they are being photographed. But as it becomes a common practice, and as the photographers attempt to capture them more in the form of an exhibit from a distance than a fellow human being, it is expectable that the people get distressed or want something in return for their contribution. But I am digressing; let me come back to our encounters in Jaipur.

Streets of Jaipur

A factory producing yarns.

It was one of those corners just outside the touristy attractions of Jaipur, where we found these friendly men who were very welcoming. After exchanging contact details and a promise to email photographs (to granddaughter’s email id, which they referred to as ’email number’), we headed out in search of more of this Jaipur beyond its well-known monuments. In the next one hour, we encountered frolicking children, women carrying water from public taps and a small factory producing yarns.

Life Outside Hawa Mahal, Jaipur

Life outside Hawa Mahal, Jaipur.

Our day of gallivanting in Jaipur was made of a series of such encounters that stayed in memory. We began as everyone did, peeping through Hawa Mahal and walking into City Palace, but kept an eye on the more down-to-earth encounters. The bustling life outside Hawa Mahal has always been one of my favourites, where the pink edifice offers a grand background for rickshaw pullers, vegetable vendors, bicyclists and every other type of people in a city that still breathes its past.

Streets of Jaipur

Streets of Jaipur

Streets and markets of Jaipur

Later in the day, we walked through the local markets that are not very far from the heritage site,s but are rarely seen by the hoards of tourists flocking the monuments. The variety and colours in the shops were overwhelming. Here too, people were welcoming and were happy to stand in front of the camera. My encounters of the day included a jeweler with a nice long beard, a hardware store owner with a smug smile, a colourful display of flowers and a scooter parked in front of an old wall with paint peeling off.

We had begun that day with the cameras on the shoulders, passing through Jaipur’s well-known sights like the Hawa Mahal and Gaitor, but keeping the eyes open to everything around them. As the day progressed, we saw ourselves spending less and less time at the monuments, dwelling more in people interactions and straying towards places less frequented. It was one such walk along  the lanes outside the walls of the old city, which had taken us to those friendly group of elders at the  end of the day.


Images of Rajasthan

In the last few days, I am slowly working towards compiling an archive of my images and making them available online. I had posted here recently about collection of images from Hampi. The next collection that is now online, is from Rajasthan. Here is the gallery with 64 images from Rajasthan, made during three visits over a span of five years.

rajasthan images


Photo Essay – Chhatris – Architectural Elements from Rajasthan & Madhya Pradesh

If I were to pick one thing in Rajasthan that charmed to no end, I will have to point at the desert landscapes. Next comes Chhatris. The simple, yet elegant canopies that served as pavilions,  galleries, design elements in building architecture and also as memorials for the dead are ubiquitous all across Rajasthan. It is perhaps the placement of chhatris in relation to each other and within the context of a larger building that makes them appear grand and beautiful, than as stand alone elements. The rising chhatris in the corners of palaces and a series of them in the pathways are perhaps the most standard placements seen in the ancient buildings. When built as memorials, they stand out independently and often in randomly built clusters.

Perhaps it is best to quote from wikipedia and leave it at it, since my knowledge of history and architecture of these structures is very limited.

“Chhatris are elevated, dome-shaped pavilions used as an element in Indian architecture. Chhatris are commonly used to depict the elements of pride and honor in the Rajput architecture of Rajasthan. They are widely used, in palaces, in forts, or to demarcate funerary sites. Originating in Rajasthani architecture where they were memorials for kings and royalty, they were later adapted as a standard feature in all buildings in Rajasthan, and most importantly in Mughal architecture. They are today seen on its finest monuments, Humayun’s Tomb in Delhi and the Taj Mahal in Agra. Chhatris are basic element of Hindu as well as Mughal architecture.”

Here is a set of images of Chhatris I made during a photography tour to Rajasthan last year. I loved these structures so much, that I yearned to spend days together experimenting compositions. But I would have been murdered by other photography enthusiasts in my group, had I done so and kept them waiting.

Click on the images to see them in full size.

devikund, bikaner

If there is one place in Rajasthan where I immensely enjoyed photographing the chhatris, it is Devi Kund, just outside Bikaner. The enclosure at Devi Kund has a large number of chhatris built in memory of kings of Bikaner. Some of them are neatly built in rows while some more more are randomly located. It is a beautiful sight to see during the hours of sunrise and sunset. And the patterns, shades and contours created by a combination of chhatri arrangements and changing light make the place a photographers delight and a place worth observing the whole day.

devikund, bikaner

Sun rays penetrating the chhatris at Devikund, Bikaner.

devikund, bikaner

devikund, bikaner

The memorial for Kings of Jaipur at Gaiter Village was my first introduction to a cluster of chhatris. Unlike Devi Kund, the chhatris here are spread randomly in multiple clusters. While Devi Kund’s chhatris can be a delight to see with their uniformity and repetitive patterns, Gaiters chhatris stand out in their size and grandness. Several chhatris here have intricate marble carvings depicting the stories from Indian mythology. A sense of grandness and a princely touch is apparent in their structures, which I hoped to capture with the photograph below.

chhatris at Gaiter, Jaipur

Chhatris at Gaiter, Jaipur

I would not be sure if this structure below in Hawa Mahal, Jaipur, can be classified as chhatris, but it surely seemed to be belong to the same class.

Hawa Mahal, Jaipur

And here is an image from Gadisagar Lake, Jaisalmer, with Chhatris forming small islands. I am told that Jaisalmer too has an assembly of Chhatris which are perhaps prettiest of the lot, though I haven’t visited them.

gadisagar lake, jaisalmer

Although Chhatris are an integral part of heritage buildings in Rajasthan, the first time I got charmed by these simple and elegant structures is at the small town of Orchha, Madhya Pradesh. The royal enclosures at Orchha had a generous dose of chhatris decorating the buildings. The cenotaphs of Orchha’s kings, although much different to the canopy-like chhatris we see in Rajasthan, are a delight to see, with their giant sizes and their great location. My visit to Orchha, which begun out of curiosity, extended for good five days with much of it spent admiring the chhatris.

Raj Mandir, Orchha

The above photograph is of the royal enclosures inside the fort at Orchaa, and images below are of the royal cenotaphs.

Royal Cenotaphs or Chhatris, Orchha

Royal Cenotaphs or Chhatris, Orchha

Royal Cenotaphs or Chhatris, Orchha