Sengge Namgyal must have been a proud king when he moved into the new palace in Leh. There was probably no other structure anywhere in the kingdom of Ladakh that matched the edifice overlooking the old town of Leh. Travellers of those times praised it to no end, and called it second only to the giant Potala Palace in Lhasa.
Leh Palace with Namgyal Tsemo Gompa and Tsemo Castle in the background
Everything must have been going well for Sengge. Not long after succeeding his father to become the king of Ladakh, he had conquered parts of vast Tibetan Plateau adjoining his kingdom to the west. Trade flourished in many directions – along the famed silk route to the north, with Kashmir to the west, and with Tibet to the east. His coffers were full. There were some bitter and unsuccessful conflicts with the Muslim rulers of Kashmir, but that did not affect the kingdom much. There was no reason not to splurge on a palatial structure that would dominate Leh’s landscape for next four hundred years. He so ordered for the nine-storey palace to be built on a hill just above the old town. For the royal residence, it was a remarkable improvement. The palace was more than ten times larger than the old castle built by his great grandfather.
Although there are no clear records, the palace could be dated to first half of seventeenth century, a few years before Sengge’s death in 1642. Today, it may not impress travellers coming from far away in terms of size (if you put all the marketing aside), but still remains one of the biggest structures in Leh. The mushrooming hotels in the northern part of the town are getting bigger and bigger and someone may build a hotel larger than the palace one day, but there is none so far.
I woke up before the crack of dawn one morning and walked through the maze of lanes in the old town to get to the palace. From its elevation, I could see the first light of dawn chasing away the shadow of the night and descending through the peaks of Zanskar Ranges, down to Indus Valley and then to Leh Town. The town was sleeping, but the peaceful morning was broken by the muezzin’s call for morning prayers, and later by reverberation of ‘Om Mani Padam’ from Soma Gompa.
First light on Stok Kangri Peak and other mountains of Zanskar Range
My guidebook indicated that the palace is open from sunrise to sunset, like any other ASI monument. It was confirmed by a sign in front of the ticketing booth at the palace, but the booth was closed and so were the doors of the palace. I must have waited there till about 8am hoping for someone to come and open up. Thankfully the mountain vistas kept me busy during the hour of sunrise, and was later entertained by a monk who struggled for 30-minutes to kick-start his bike. Just when I was about to give up, the doors opened from inside and a sleepy-eyed man walked out. He seemed to be a worker involved in palace restoration, and must have decided to use king’s quarters to live in while he worked there. He left the door ajar and let me walk in and explore on my own.
Leh Palace.
The insides of the palace were completely empty. There were no plush carpeted interiors, generous decorations and furnishing that one would look forward to see in a palace. Dark walls welcomed me in all directions, with a shaft of light appearing from one of the corners. An incandescent bulb burned somewhere ahead, letting me find my way into the heart of the palace. Along with the musty smell of oldness was a odour of restoration activity, of freshly cut wood and varnish. The palace was being spruced up by Archeological Survey of India, and there was little to see inside when I went. All that was a maze of empty rooms where I got lost several times. But up from the terrace of the palace, I was awed by the Ladakhi vistas that had impressed me all through the journey to Leh. The mountain peaks, brown slopes, the Indus River are all there to see, uninterrupted.
My meditation on the mountains was interrupted by the call of a Bactrian Magpie that sat on a perch and announced itself incessantly. Descending from the terrace, I made the slow climb further up the hill to the old castle and Namgyal Tsemo Gompa. The castle and the monastery were built by Tashi Namgyal, Sengge’s great grandfather. They are small and barely make a mark but for their location high up on a peak. It is surprising that these structures of mud and stone have weathered five hundred years and remained fairly intact. A sign near the door said ‘Tsemo Castle’, and its doors were locked up. A lone monk performed the morning puja in the monastery, where I did not spend much time inside.
The red structure in the middle is Namgyal Tsemo Gompa. The dominating white building is Tsemo Castle
The castle was closed, but the painful climb up through a steep slope in the thin mountain air was not a waster. Wherever you are in Ladakh, climbing higher always means better views, and this was no exception.
Down the hill and into the town, I went in search of the place where I heard the chanting from the monks. Morning puja was on at Soma Gompa in the middle of the main market. Monks sat in rows and recited what sounded like continuous murmur to someone who doesn’t understand the language. The exercise was coupled with a lot of action, as they touched their nose and ears with fingers and made signs with their hands. The prayers lasted long enough that they had breaks for tea and snacks. Sitting in a corner and watching the performance, I also got my first taste of Yak Butter Tea, or gur-gur as they locally call. It is made of barley flour and salt with a generous portion of butter floating on the top. Gur-gur is not something that the tourists take a liking to, but I found it very much drinkable.
Inside Soma Gompa
Walking out of Soma Gompa and along the market, I kept looking back at the Leh Palace – the dominating building in this part of the town. I remembered expecting to find something typical to what a palace should have inside when I walked in – like plush interiors, a hall that formed king’s court, sections to seat officials at work, an area for women, king’s private quarters and so on. The Palace probably had all that, but its dark passages and the under-renovation interiors hid them away from me. I shall come back again some day when it is less challenging inside!
My first proper day in Leh started with a rush to the ATM. In a town that has more tourists than locals, your best bet to get your money from the only functioning ATM is to get there early in the morning. At 10am, the queue was already long enough that it took me an hour of waiting, a few tense moments of machine malfunctioning and rumours that the money is running out. I had to get some money that day or go hungry till tomorrow! Thankfully things turned out for good.
Leh is not a place where you want to hurry things. And hurry, we did not. When we asked our guesthouse owner for something do that evening, he pointed us towards Shanti Stupa. Stepping out and loosing our way through the maze of roads in Sankar Village, I spotted a little girl and asked for directions.
Shanti Stupa
“Julley..,” I greeted her, using the Ladakhi word for ‘hello’, and asked for directions to Shanti Stupa. Incidentally, julley can mean ‘hello’ as well as ‘good bye’.
She looked up with her bright face and smiled in return, the kind of innocent smile that makes you fall in love in that very moment. She pointed me towards North in response, added that she is heading in that direction and will show us part of the way. I asked her a few more questions as we walked together, but she did not have answers to much of them. “I am from Kargil,” she responded instead, indicating that she doesn’t know much about Leh.
Shanti Stupa
Puffy clouds over Ladakh Range of Mountains, seen from Shanti Stupa
Evening light over Namgyal Tsemo Monastery, seen frmo Shanti Stupa
Like everything religious in Ladakh, Shanti Stupa is also located on a hill. The way up appears easy on looking up from below, but as I walked, I became conscious of the thin air in this high altitude (10,600 feet, 3500 meters) and had to cut down my pace. The vista of the mountains got better as I climbed up, bringing in the whole town into the view from the top. Shanti Stupa itself is not an admirable structure, but the panorama of the Indus Valley from its premises, with its green stretch spreading like an oasis in the middle of dry brownish mountain ranges, gives a perspective of the scale of the landscape that accommodates Leh. Puffy white clouds hovered over brown mountains at one side, while the cold snow claud mountains of Zanskar were kissed by dark rain bearers to the other side. At the opposite side of the town, the last rays of the sun gently moved past a crag hosting Namgyal Tsemo Monastery, making a distinct mark between the arriving night and departing day. At the twilight hour, peace prevailed in the atmosphere despite the crowded platform of the Stupa. Shanti Stupa is the best place to watch the sun drift over the skies above Leh.
Much before I begun the journey to Ladakh, I already had a mental picture of the way Leh would look. I create such imagery in my mind about the places I long to visit – something worth doing when you can’t get there any soon! I have had such images of Rishikesh once, which eventually did not quite fit my imagination. I still keep thinking how Leh and rest of Ladakh would look in winter – it is something I would like to see and experience. I tend to drift often imagining of the landscapes of Scandinavia, of Bayon temple in Cambodia, the Mekong Delta in Vietnam, Yukon province in Canada, the penguin infested Antartica, rain forests of Namdhapa, vast waters of Amazon, foggy peaks in the Andes, arid planes of the Tibetan plateau, the Andamans, Orccha, Kabini,.. It would be a shame to see the list ending. It never will.
Shanti Stupa is visible from every corner of Leh Town
Coming back to the Leh of my imagination, I can’t point a source that helped build my concepts. It could be a few mountain stories that I read, pictures brought back by travellers, the romanticization of Tibetan Buddhism and culture, or the shangrila dream that makes people journey into these mountains. My Leh was so dreamy and picturesque that it could not have been real. And it did turn out that way.
My Leh was a small place, not more than a kilometer from end to end, despite being the largest town in Ladakh. But that single kilometer would be a traverse through several ups and downs and walking it would mean a lot of time and effort in the thin mountain air. Population would be sparse, with just a few people on the road – an equal mix of travellers and locals. Travellers from the west, mostly. The locals on the street would be elderly Buddhist, which you could tell from their traditional attire, wrinkled mongoloid faces and the prayer wheel constantly turning in their hands. Those compassionate Buddhists would walk gently up and down the slope with no worries of tomorrow or no hurries of today, and would smile and nod affectionately when eyes meet. A few houses would be jutting out from the steep mountain slopes, Leh Palace being the dominant of them. Just out of the town and you would already come face to face with the desert-like moonscapes that Ladakh is known for. Indus would be flowing furiously somewhere deep in a valley, a narrow strip of greenery spread on either side of it. Life would move slow, easy and happy. There would be murmurs of some chantings early in the morning as the monks would assemble for prayers at a monastery perched high on a crag. There would be an air of mystery to everything, and awe me, the tourist (traveller, if you please) on arrival.
Tourists looking for things to take back home!
The real Leh, obviously did not fit well into the imaginary one. The first disappointment comes much before arriving at Leh. Its suburbs – typical of any Indian town seeing its boom days – begin much before the town makes an appearance. Choglamsar, an extension of Leh upstream of Indus is an ugly sprawl spreading sloppily along the highway. It is quickly evident that Leh is not a little pictureque hamlet that welcomes the tired traveller and makes him feel at home. It is just another urban expanse that takes advantage of the wide plains on the bank of Indus – a rarety in the mountain landscape of Ladakh.
The town is packed with travel services that has been the prime money maker for it’s people for many centuries. Historically, Leh was supported by the merchants who wandered between Tibet, Xinjiang and Kashmir. It is now the tourists who come in search of novelty from every part of the world. The main market, rather small stretch of road for the size of the town and its suburbs, is all about keeping the tourist comfortable. There are trekking and travel agencies, souvenir shops and restaurants that offer ‘palace view’. Extending to the north of the market are long lines of hotels and guest houses that never seem to end. I had my first warnings about Leh being a tourist trap when I read Pico Iyer writing about Leh as a place where you may “learn ‘traditional Thai massage’ on the streets of Leh, dine at a Korean restaurant called Amego”, but I was too comfortable in my dreams to heed to those warnings. The Leh in my dreams was how I decided to keep it, at least till the time comes when I see it.
But not everything is in the negative. Hidden just west of the market, no more than a ten minute walk is a glimpse of the old Ladakhi Village that has kept some hints of its past. The traditionally managed fields of barley and potato in Sankar Village are a green expanse with water channels and walkways crisscrossing them. Elderly men in goncha (traditional Ladakhi dress) are occasionally seen diverting water into their fields. It takes a longer walk to see a house or two built in Ladakhi style, but the quiet lanes on the way make it worth the effort.
In the direction opposite to Sankar, just below the main market, the old merges with the new. Departmental stores, internet centers and souvenir shops occupy the buildings, while women in traditional clothes sit on the footpath, yapping among them and selling apricots and carrots from their garden. A 100m away further east of this market, old men keep themselves busy turning prayer wheels while awaiting customers for their piles of dried apricots and other nuts. Hidden right in the main market, behind a small array of shops is the Soma Gompa – the prime monastery in Leh where men and women assemble in the morning to listen to the prayers from an assembly of monks. But it is modern Leh that dominates the scene, the old town hiding quietly behind it.
The fields of Sankar Village are just a 10-minute walk from the main market
Yet, the most dominating structure in the town-center does not belong to any of the hotels or tour companies. It is the four hundred year old palace built by King Sengge Namgyal. Further, looming large far away on the mountains are the beacons that stay in view from every part of the town – the Shanti Stupa to the north and Tsemo monastery to the south. Leh itsels is sandwiched on a plateau between the hills holding these structures. To the west are the hills of Ladakh ranges that host Khardung la, much publicised as the highest motorable pass in the world. And to the east is River Indus that flows in a wide valley amidst plenty of greenery from the fields of hardworking Ladakhi farmers. Unlike the Indus in my imagination that ran fast and furious in a narrow valley, the river here flows gently through a wide plain, irrigating the barley fields along its bank. Past the river are mountains of Zanskar ranges that stand taller than the Khardung la, the peak of Stok Kangri dominating them all.
Even when Leh did not fit my imagination, it effortlessly put me in an awe. The views from Shanthi Stupa are the most memorable of what Leh had to offer me. The arid mountains dominated the landscape, with the Oasis of Leh lying in a trough in the Indus Valley. I stayed put in Leh for more than a week, before making a lethargic attempt to explore deeper parts of Ladakh.