My bus from Madurai to Kanyakumari heads southwards passing through the vast plains of Tamil Nadu. Summer has not yet set in, and there is pleasant breeze coming in from the window. Strong sun brings in a bit of discomfort whenever the bus halts, but nothing close to reminding the scorching summers. The grass is green and stretches endlessly to the horizon. There isn’t much habitation on the way and my views are not interrupted by human settlements.
The plains seem perpetual as we progress south, and there is little change in the landscape. Occasionally, flat grassy tracts gives way to towns and villages and farmlands but quickly returns to the same terrain. Once in a while, palm trees spring up in small clusters to break the monotony.
A few hours in the bus, we are close to Tirunalveli, when clouds start gathering in the distance and the weather becomes distinctly cool and moist. Driving under the clouds, we are surprised by an unexpected drizzle that eventually picks up into a steady rain. We are now in hill station like weather, and the cool wind lulls me into sleep.
When I open my eyes, it seems like a completely new world. Rains have stopped. The earth is now fresh with wetness after the rains, and blades of grass are decorated with water droplets. There is some change in landscape too – there are tall hills rising at a distance, with their ridges barely visible in fog. Driving through flat unchanging terrain for many hours, the green hills rising one behind other are a welcome shift.
I kept wishing that we pass through these mountains and descend into the sea side town of Kanyakumari, which did not happen. But driving through the foot of the hills and beyond them, we go past green plantain orchards and coconut groves as we approach Nagercoil. The coconut trees fill me with an anticipation of sea. At the edge of Tamil Nadu, the region has a distinct Keralan feel, with its sparsely spread housing, a few small shops selling nothing more than gutka packs and candies, all under the expanse of coconut trees. “We will reach Kanyakumari at 4pm,” the driver had told me earlier. We keep the time and arrive at 4.10pm.
Kanayakumari is a small town bustling with tourist infrastructure and pilgrim attractions. The eastern side of the town facing Bay of Bengal is lined with hotels advertising sea-facing rooms. Restaurants crowd the streets trying to appease every kind of pilgrim, serving food varying from South Indian to Punjabi, Gujarati, Marwari and North Indian. The southern tip, the end of mainland of India, hosts the Kanyakumari temple and bathing ghats that get crowded in the morning with pilgrims and tourists from every part of the country. The western shore is quieter, with fishing villages, catamarans on the shore, and a church that dominates the landscape.
Later in the day, I head to the quieter western shore to watch the sun go down and paint the sky red. Local government has built a tall and ugly tower adjoining the sea to view sunset, which seems to find no takers. But further ahead is a beautiful expanse of rocky shore ideal to sit and while away the time as the sun makes his journey down the horizon. Next to the rocks is a small beach laden with catamarans of fishermen who have called it a day. The same waves that collide into the rocks with a roar gently diffuse into the beach and retrace into the ocean timidly. The sky is cloudy and it appear as though the sun may not show up for the evening, but just a few minutes before the time of sunset, clouds make way to reveal an orange ball that changes the hues of the sky.
A few dozen of people who have gathered to witness the sunset leave soon after the sun goes below the sea. Tourists and their few vehicles gone, the sky turns from orange to dark in a few minutes. In the ensuing quietness, there is no sound but of the waves bouncing off from the rock. I lie on a boulder for a long time feeling the cool wind blowing into me, immersed in the moment and indulging in the pleasing environment.
Back in the town near the southern tip, I am disturbed by the glistening lights by the shore that is a contrast to the place I have left behind. But far away from the shore, Vivekananda rock and the Thiruvalluvar statue in the ocean are lit up and look beautiful. A strong eastern wind livens me up and forces me to spend some time there, listening to the barrage of waves.
Next morning, I wake up just before sunrise and hurry to the sea shore. Expecting crowds similar to the sunset hour yesterday, I am a bit of put off to see a large crowd near the confluence – almost a thousands of people! A quick survey shows me that there are people from all over the country – traditionally attired farmers from places as far as the Hindi belt, turbanated Punjabis, well dressed families from Mumbai and the local South Indian crowd. The acclaimed diversity of India has converged to see sun come up over the confluence of the seas.
It takes some time to locate an empty place, but I manage to find one close to the shore. But within minutes of my arrival, the crowd swells further and every inch of space around me is occupied. Hawkers too, are already up and walking around selling trinkets, trying to take advantage of the gathered crowd. A fake pearl necklace attracts a woman sitting next to me.
“How much?” she asks the vendor.
“Two hundred,” says the vendor, and he hands out the necklace.
A serious round of bargaining follows. The lady wants it almost for free while the vendor is hoping to pull off a big profit. She pretends she is not keen on the necklace, but the vendor is an expert seller and is not giving in easily. The woman gives a tough first quote, trying to bring the price down by a steep ninety percent.
“I will give twenty rupees,” she says flatly. I am surprised by her confident quote. From two hundred to twenty? I need to learn some negotiation skills from her.
The vendor pretends to be angry at her and rises his voice. “You won’t get anything for that price,” he says thrusting the necklace into her, “this is original pearls, have a look at it.” He then takes a lighter and puts the necklace in the flame. “See, this is original, not fake; you can see it doesn’t burn.”
The woman is not impressed and has no intention to increase her quote. The vendor is playing a loosing game, and the price suddenly comes down to fifty, and soon after that to thirty! I am impressed with the woman’s ability to get the price down, but the lady herself has no plans to revise her quote. The sale did not happen.
Just when all this exchange is over, sun comes out, gloriously lighting up the eastern sky, shooing away the morning cold and bringing in warmth. Within minutes after the sunrise, it is already bright and harsh, bringing end to the romance of the morning. The best moments were before the arrival of sun when the sky and the seas looked dull blue as the light spread slowly all over.
Later in the day, I take an hour long bus ride towards Kerala border, to Padmanabhapuram Palace. The journey to the palace itself is a rewarding one. There is greenery and plenty of water all around, and earth looks live and beautiful. A canal filled with fresh water runs along the road. Green paddy fields spread far and wide to one side, and to the other side unfold plantain orchards and coconut trees. Towering far away are Travancore Hills covered in a thin layer of grass. It was appealing enough that I traversed the same road again the next day, relishing on the scenery.
The palace is located i
n a picturesque village, in a leafy environ with dense growth of coconut trees around it and views of Travancore Hills at a distance. The palace itself looks ordinary from the front, but once inside, unveils ornate wood carvings, beautiful windows with wooden grills, and tiled roof. The insides boast of a long dining hall where the Brahmins once ate free, a three-story tower where the kings lived, well lit courtyards for the women, a stone temple with a theater and a beautiful pond in a green arena. It is a haphazard but charming structure built by the kings of Travancore 400 years ago, and most of it is still maintained intact. The upper floor of king’s living room has some pretty frescoes, but now out of bounds for visitors; I had to be satisfied with poor photocopies displayed in the palace museum instead. (More on the palace in a separate post)
Continued in Part II
On one of my gallivanting trips in the peninsula, I was wandering the lenght of Padmanabhapuram Palace in TamilNadu-Karala border and came across a small pond trapped between the palace walls on three sides and lush greenery on the fourth. Its clear waters, spread of lush and tender grass around it, its beautiful setup at the edge of a coconut grove and views of Travancore Hills far away in the east together pulled me towards the pond. Walking around the pond, I found a balcony that opened straight above its waters, and spent a long time indulging in the placid atmosphere.
Standing on the balcony, I could see deep into the pond’s clear and transparent-greenish water. It was live with fish of many sizes and variety. There were big black ones with half a feet long plump body that swam lazily in a corner. And a smaller kind stayed together and moved in a school of few hundreds, staying close to the surface. A Little Cormorant dominated the tank, policing the place from end to end in a nonchalant manner and occasionally diving in and coming out with something in his beak.
When the cormorant dived, I could still see him inside the water. His legs moved back and forth quickly and his neck straightened like a spear to aid swift motion. I could see all that he did when he dived in – the fish that he chased, the ones he managed to catch and the ones he had to let go. He made a quick dive to replenish himself just after I arrived, surfaced immediately, flapped his wings and flew into a rock surface where he settled down comfortably.
He seemed to be planning a long hour of leisure on the rock and in no hurry to get back to the water. He knew that the fish in the pond are going nowhere, and he can consume them one by one at his own pace. He perched comfortably on the rock and spread his wings wide open to let them dry in the sun. Cormorants lack oil secreting that help most waterbirds to keep their wings dry. They have to resort to conventional way to dry them – by getting out of the water and spreading them in the sun. After a good session of swimming, they take a clumsy flight to the bank by flapping their dripping wings, spread them wide open for some time for drying in the sun before flying away.
Life must be good if you are a cormorant in these parts. He kept his own leisurely schedule perched on the rock and seemed to have nothing to bother about. I stood still in the balcony watching him, hoping that he gets back to water soon to work on the remaining fish in the pond, filling himself up by making good use of a time when he is having all the pond for himself. But he was relaxed and took it easy, preening his wet wings and inspecting the pond that he seemed to own.
He must have spent a good fifteen minutes making fashion statements in preening and drying his wings. Just when I was getting impatient and looking forward to some action from him, he jumped into water and started scanning the pond for lunch. I was excited and looked forward to some underwater fish chase and fast action sequences. But to my disappointment, he headed straight to the area covered with weeds and disappeared under them.
He would spend a lot of time under water each time he went into weeds, leaving me in anticipation and keeping me guessing about where is he going to resurface next. He always came out with something tiny in his mouth and would swallow it contentedly after coming back up. What he had in his beak was too small for me to see with bare eyes, but whatever it was, he seemed to be finding a lot of it under the weeds, as he made frequent dives and never came back empty.
This went on for a long time; he had an appetite that wasn’t going to be satiated easily. He continued his routine, relishing in his find under the weeds. There definitely seemed to be an endless supply of food somewhere down there. Besides what he was eating, he did not even bother to look at the school of small fish that moved around the pond in a slothful manner. For such good supply of food, it was surprising that he had no competition and had the entire pond all for himself. It must be a lavish life, being a cormorant.
I did not have to wait for a long to figure why he donned the whole pond by himself. In a few minutes, another one of his fellow beings flew in, perched on the roof of the palace and surveyed the pond to check if it is habitable for him. He seemed to like the place; after lingering for a moment on the roof, he decided to fly into the pond. What happened next was something I wasn’t ready for. He dived into water, but was met mid air by the our old fellow who was unwilling to share his abode. The fight and the pandemonium that ensued next hardly lasted a second. It was a swift encounter as the birds quacked and collided with each other, trying to push each other with their beaks. The intruder retreated immediately, leaving the pond with its rightful owner and allowing peace to prevail. The mystery of his dominance was thus resolved.
Another fifteen minutes of order remained as our old cormorant continued to have good time diving down the weeds and taking mouthfuls. Exploring for more, he swam into a bunch of weeds right below my balcony, giving me closer and clear views of his shining dark back. This time when he dived, I could see a little of what was happening among the weeds. He disturbed a school of very tiny, barely visible fish that haunted the weeds and picked them one by one at each dive. Another mystery was resolved.
There wasn’t a moment of dullness at the pond. Soon he had enough of the tiny fish and scoured the pond for more, stumbling on the school of fish swimming tardily in the opposite corner. There was a sudden infusion of life in the pond. The school sprung into action and swam away quickly, chased by the fast moving cormorant. It split into two groups in the pandemonium and the action that ensued lasted no more than a second or two. The cormorant got closer to the less lucky of the two groups and pounced on them. Next moment it was all over. Our bird was back on the surface floating easily as he always did, a trophy of victory locked in his beak. After all that fast drama, once again peace prevailed in the tank and life continued as usual: the school had regrouped, cormorant returned to its usual uneventful dives. It looked as if nothing had happened in the last minute.
The amount of complexity packed by nature in such a small region amazes me. The tiny fish probably depend on the weeds to survive, and the bigger fish are likely to survive on the smaller ones. The cormorant gobbles up the fish and population of all life is kept in control. The water itself is recycled and replenished to support all this life by vaporization and precipitation. And the complexity is carefully planned to ensure that the system never breaks. The cormorant keeps rivals at bay, ensuring sustenance of aquatic population. And yet it seems so simple and beautiful to someone seeing it from outside the system.
My bus dropped me at Thanjavur’s old bus stand on an overcast morning in the first week of March. It had rained all night and the day was pleasant. Getting out of the bus stand, I looked around for someone who can tell me the directions to the temple. I need not have bothered; Brihadisvara temple is the only high-rise building in the town rising up by fourteen stories and 216 feet. It is called Brihadisvara or The Big Temple for nothing! A short 5 minutes walk from the bus stop and I was already in front of the temple.
The Gopuras of Thanjavur Temple. See how far away is the third and tallest thirteen story tower
The first impression of the temple is entirely dominated by its three gopuras. Rising steeply beyond a wide enclosure, the brownish sandstone structures of the tallest tower stands up distinctly with its uncommon, pyramidal shape. The temple is almost like a fort. Its outer wall is a good 10 feet high and stands behind a trench built along the wall. The entrance to the temple, which is tall on its own but dwarfed by the main tower, is marked by a gopura embellished with various gods. Surprisingly, the ubiquitous market lanes outside the temple of such size, selling pooja paraphernalia is missing completely and is substituted by just a couple of flower vendors.
Entering through the main door leads to a wide-open area covered with green grass that is typical of places managed by the Archeological Society of India. I left my footwear at the Chappal stand, bought a booklet on Thanjavur and started my explorations. A search for guides who could show me around and explain was not successful but the booklet I had bought made up for it with its detailed explanation of architecture and history.
Beyond the main entrance is another high wall separating the inner courtyard. The sandstone wall is decorated with small statues of Nandi at uniform intervals along the perimeter, adding up to a few hundreds of them. I walked along the wall marveling at the high rise of the temple and the enormous effort that would have been spent to build it. Behind the temple is a peaceful tamarind grove that is completely isolated from rest of the world by the large temple enclosure, and gives a feeling of calmness and seclusion. I picked a few fallen fruits of tamarind and chewed the sweet and sour fruit in pleasure. The leafy trees are haunted by a few parakeets that burst into a ruckus every now and then.
I was enchanted by the atmosphere and loathed to move on and into the temple’s inner courtyard. But the greed to see more overcame the indulgence of the moment, and I pulled myself forward. The huge inner courtyard has a few smaller shrines situated around the main temple. There is a giant Nandi guarding the shrine, said to be the third largest Nandi statue in the country. I presume that obviously translate to third largest in the world; can we expect a super-sized Nandi statue anywhere else but in India? The roof of the Nandi Mantapa has brightly colored frescoes of floral patterns giving me a glimpse of Thanjavur’s famous frescoes. None of the structures in the temple stand anywhere close in size to the main gopura. The tower has a crown of 80 tonne stone and there have been speculations on how it was lifted all the way up. The lingam in sanctum stands high like the tower it is under, and measures 13 feet.
The insides of the main temple is said to have sections with frescoes that are now closed for visitors to prevent possible damages. Inner walls of the temple courtyard have a few paintings that are in various stages of decay and it looks like ASI has given up on these. Only few of these are in reasonable condition but plaster on the wall has peeled off from most of the paintings, and shockingly, many paintings have been ruined by mindless graffiti. The roof of Amman temple has painted murals but there seems to be some repainting attempts done by untrained hands in the recent years, which has only helped in degenerating them.
Most of the temple’s visitors are tourists and busloads of children on school trips. They usually walk around the temple quickly and head out. Fortunately, despite the oversized temple, Thanjavur is not a well-known pilgrimage center. It is not associated with any mythological incidences that so often binds our temples and nor has it any special significance that would attract devout people in hoards. That means the temple is generally quiet, devoid of any major pooja activity, events or the otherwise ever-present loudspeakers, allowing one to explore the place in peace.
Brihadisvara temple was built by Raja Raja Chola during early years of the eleventh century AD, in the heydays of his kingdom. Later rulers made further additions to the main shrine with contributions from the Nayaks and Marathas post 16th century. Now the temple complex includes an Amman temple next to the Nandi, and a Murugan temple and Ganapathi temple to either sides of the main shrine. The famous Thanjavur style paintings were inscribed inside the temple by the Cholas and enhanced by Nayak rulers.
I spotted the young and active temple elephant as I was heading out. I watched the charming elephant accept donations and bless a few devotees and could not help approaching her myself. Picking up a dozen Bananas, I offered them to the pachyderm, which swallowed them all in seconds as I patted her trunk. As I was about to retreat, the Mahout asked me to bow in front and receive its blessings, to which I obliged. It graciously lifted its trunk and gently rested the tip of it on my head, splattering a few drops of saliva on me! I prodded its trunk and wondered on how strong and tough are the trunks that actually appear soft and agile.
My next stop was the Thanjavur palace which is a fifteen minute walk from the temple. The palace was built by Nayak rulers in 16th century and subsequent additions were made by the Marathas. While the Brihadisvara temple is in a good condition and is well managed, the palace is in shambles. A part of the palace complex is converted into a school. As I walked towards the palace, a few kids bumped into me struck a friendly conversation and posed for pictures. There is some digging and construction activity within the palace courtyard, and there are no signs or information to help visitors about where to go. The interiors are dusty, poorly maintained and cry from neglect.
Thanjavur Palace
Despite all this, the palace has its treasures worth seeing. The Maratha Darbar hall, an open-air auditorium that now has weeds growing all around, has some impressively painted designs worth looking at. Saraswathi Mahal Library inside the palace has a collection of precious ancient books which were once a personal collection of Maratha king Sarfoji. Though the books aren’t accessible to visitors, a few books and some paintings are exhibited in glass casing that makes the visit worthy. Beautiful miniature paintin
gs of Ramayana and picture books on Mahabharata are some of the exhibits worth looking into.
Maratha Darbar Hall
The structure of the palace is unique and doesn’t seem to have any kind of precedence. A seven-story bell tower at the palace entrance almost looks like a modern multi-storied building. Sections of the palace complex now house museums showcasing artifacts from the time of Cholas to the Marathas.
My day in the town ended with the wanderings in the palace. Like the Brihadisvara temple, the palace also has a few structures that are fairly big. Also big is also the impression that Thanjavur leaves with its visitor.