Ladakh – Monasteries – Thiksey Gompa I

I went to Thiksey Village to see the monastery, but was charmed by the barley fields around the village more than the monastery itself.

See glossary for meaning of terms marked in bold below.

On my way to Ladakh from Manali, I had presumed entire Ladakh as a calm and pleasant region with a soothing feel and a mystic charm. But the urban growth and its ugly suburbs had baffled me, making me wish to move away from the town. Thiksey provided the necessary escape.

After having gone through the barren landscapes along the Manali-Leh road and spending days in Leh looking up at arid mountains all around the town, the greenery along the Indus Valley gave a welcome break. The river basin is at its widest in Thiksey, mostly filled with barley fields, poplar groves and a few houses dotting the verdant landscape.

thiksey

I walked through the fields listening to the cawing of bactrian magpies and watching a hoopoe lodge on the ground near me, spreading its crest like a fan and proudly demonstrating its beauty. Sparrows hopped around the fields in search of grain, chirping and flying away on my approach. The fields were crisscrossed by a complex array of canals with cold, crystal clear water coming down from the mountain peaks. A long Mani wall bordered the fields. Thin poplar trees grew tall and parallel to each other, forming boundaries between two patches of land. As the sun edged towards the mountain peaks in the west, the sky was painted in orange and shafts of light emerged from the gap in the clouds. Sunlight made way through the poplar trees, creating strips of light and shade on the ground.

A few women worked in the fields. Children gallivanted on the road, going back and forth without purpose.

Thiksey monastery was visible at a distance, perched high on a hill to the north, overlooking and guarding the village. Indus flowed somewhere below in the wide valley. Far away to the other side were the mountains of Zanskar, with their brown slopes and icy peaks. It was a beautiful world!

But there are some signs of Thiksey’s traditional barley fields giving way to development. Some fields were dug up for brick making, probably to satisfy the demand from Leh and to build accommodation for the summer rush of tourists. Poplar trees – another material used for construction – usually grown at the edge of the fields now completely occupied some areas.

As the sun went down the horizon and we headed back to our hotel, we met two soldiers from the nearby battalion. They were friendly and happy to talk, like most army men here were. Suman and Rishi have seen a winter here and can’t forget the harsh weather and sub-zero temperatures from those days.

‘It gets bitterly cold,’ they say, ‘-45C in winter. All the greenery that you are seeing today will be gone. There won’t be a shrub to see. The trees shed their leaves and look like skeletons. Nothing grows on earth. Vegetables cost ten times the summer prizes. The approach roads to Ladakh will be closed and there will be snow all over.’

Having seen a harsh winter, Suman preferred warmer climes. ‘You should go to Andamans,’ he told me, ‘see the sea there, go to Port Blair and visit the cellular jail.’ Without knowing, he was kicking up a wish I have had for a long time.

We parted ways and returned to the hotel, a place managed by the monastery administration. We intended to visit the monastery for the next morning prayers, but luck would go against us. Someone had died at the village yesterday and the monks were to go there to perform final rites. There would be no morning prayers in the monastery next morning.

To be continued..


Ladakh: Glossary of Terms in Buddhist Iconography

Continuing my series of stories on Ladakh, I will be writing in upcoming posts about monasteries that I visited. It would be useful to know a few terms often associated with Ladakhi Buddhism and Tibetan iconography before reading them. I will be using these terms very often in the posts about monasteries. More terms may be added as necessary. Come back to this post for references where needed.

Avalokitesvara. The Buddha of compassion with thousand arms to help the sentient beings.

Chorten. A Chorten or a Stupa is a holy structure with three parts – a square bottom, a circular middle section and a thin cylindrical top portion. On the top of it will be a crescent moon and a disc. Chortens are installed on the approach to monasteries and outside the village. They are meant to ward off evil.

chorten

A series of Chortens.

Drukpa. A sect of Tibetan Buddhism, also referred to as Red Hat. The monasteries in Lamayuru and Hemis are among the prominent monasteries of this sect.

du-khang. The prayer hall of the monastery, often with richly decorated interiors and murals along the walls.

du khang

The du-khang in a monastery in Ladakh

Gelugpa. A sect of Tibetan Buddhism, also referred to as Yellow Hat. The monks of Gelugpa sect wear a tall yellow hat during special ceremonies and festivals. Most monasteries in Ladakh belong to this sect. Dalai Lama belongs to Gelugpa order.

Gompa. Ladakhi term for a monastery. Celibate monks (lama) live here and study the religious scriptures and meditation. Usually every village will have a gompa on a crag overlooking the entire village. Villagers use religious services of lamas from the monastery and often donate in cash or kind in return.

gon-khang. Gon-Khang or the room of guardian deities is a place of worship in the monastery that houses many demonic figures. Sometimes the deities are veiled. Some monasteries do not permit women inside gon-khang.

Mani wall. A thick wall built by loosely bound stones, often seen along the roads in a Ladakhi village. The stones will have ‘Om Mani Padmeham’ or other Tibetan mantras inscribed on them. One must always walk keeping the Mani wall to the right.

Manjushri. Manjushri is a Bodhisattva (emanating enlightened being) associated with awareness.

Tara. A female deity. Tara is usually painted in prayer halls as Green Tara or White Tara.

tara

A statue of Tara

Torma. A material for worship made by kneading tsampa(barley flour) in to conical shape and decorated with Yak butter and other materials.

torma

Tson-ka-pa. The lama who founded of Gelugpa sect. His statues and paintings can be seen in many monasteries that belong to Gelugpa sect.

tsonkapa

A statue of Tsonkapa

Wheel of Life. A complex painting often seen on the walls of monasteries, representing various levels of life according to Tibetan Buddhism.

wheel of life

Yab Yum. A Tibetan Buddhist deity with multiple hands, always portrayed in union with a female deity. Paintings of Yab Yum can be seen in the prayer halls of the monasteries.

yab yum


Bactrian Magpie (Black Billed Magpie)

bactrian magpie

A bactrian Magpie perched on a pole on the roof of Leh Palace.